Author Archive: Ed Driscoll

HOW THE ISRAELIS DID IT: “Years before the air strike that killed Ayatollah Ali Khamenei, Israeli intelligence had been quietly mapping the daily rhythms of Tehran. According to reporting by the Financial Times, nearly all of the Iranian capital’s traffic cameras had been hacked years earlier, their footage encrypted and transmitted to Israeli servers. One camera angle near Pasteur Street, close to Khamenei’s compound, allowed analysts to observe the routines of bodyguards and drivers: where they parked, when they arrived and whom they escorted.”

Or to put it another way:

SEVENTH CENTURY RELATIONSHIPS:

This may be more like what the Ayatollah be receiving:

Or perhaps this:

UPDATE:

IT’S COME TO THIS:

JEREMY CLARKSON: I wish I’d been there for the Bafta Tourette’s moment.

To recap: the critically acclaimed movie I Swear is based on the true story of a Tourette’s syndrome sufferer called John Davidson, who was at the awards ceremony to watch the guy who played him in the film pick up a best actor award. All lovely so far.

But in the course of the proceedings John shouted out the n-word when two black guys were on the stage. And all of a sudden things were not so lovely any more. And they were especially not lovely, I should imagine, in the BBC edit suite when the show was over and they had two hours to prepare it for transmission.

I would give my entire nutsack to have been in there with them, not to contribute to the debate, but to watch a room full of luvvies tie themselves in knots. They should make a movie about it one day. It could be called “When Bandwagons Collide”. It’d probably win a Bafta.

Obviously, they nipped out a clip where one of the winners said “Free Palestine’, because after the Glastonbury debacle when that performer — I forget his name … Jizzy Biscuit? Something like that — encouraged the crowd to kill Israeli conscripts, there was something of a brouhaha.

But what to do about this n-word business? The whole point of the very excellent movie I Swear is to highlight the plight of those with Tourette’s. And by including the tic, which is what it was, the BBC would be doing just that. However, it was a racist tic. So is it acceptable to broadcast a white man using the n-word, even when he can’t help it?

Think of the hand-wringing and the mental anguish such a conundrum creates. It’s never easy being a lefty; there’s always someone or something to worry about. You can imagine them all, in a tiny little room, with two things to worry about at the same time and only two hours to sort it out. If they left it in they’d be broadcasting the worst kind of racism. If they took it out? That would be disablist. It’d be like pixelating someone’s wheelchair. Only one thing is for certain. Whether they left it in, or took it out, they would have to apologise to someone.

In the end, they left it in. And the following morning apologised to all the black people they’d upset. And then there were apologies to all the Tourette’s syndrome people, for the apology. And the last time I looked they were apologising for positioning a microphone close to where Mr Davidson was sitting. But what if they had moved the mic and he’d seen them doing it? They’d have to say, “We are moving this because some people might be offended by your disability.” What a nightmare world the left has created.

Welcome to the intersectional Olympics. As Georgina Mumford of Spiked writes, “Cancelling a man with Tourette’s is a new low for the woke elite:” “After years of telling the rest of us to platform marginalised voices, to defer to ‘lived experience’, to generally ‘do better’, they have proven to be themselves shockingly ignorant of a condition that causes genuine hardship. There is no awareness that they themselves are ‘exclusionary’. Those who bristle about having to be in close proximity with disabled people will not stop to wonder if they, themselves, are the bigots. ‘The best at hate are those who preach love’, Charles Bukowski once said. Perhaps, too, those most quick to tell the rest of us to ‘educate yourself’ are the ones most in need of taking their own advice.”

RICK MCGINNIS AT STEYN ONLINE: Wow Finish: Stanley Kramer brings down the curtain in On the Beach.

“Every man who worked on this thing told you what would happen,” Julian [Fred Astaire] argues. “The scientists signed petition after petition. But nobody listened. There was a choice. It was build the bombs and use them. Or risk the United States and the Soviet Union and the rest of us would find some way to go on living.” In any case the radiation level in the room they’re in is nine times higher than it was a year ago.

“We’re doomed, you know,” Julian tells them. “The whole silly, drunken pathetic lot of us. Doomed by the air we’re about to breathe. We haven’t got a chance.”

The whole terrible scene reduces Mary to tears and inspires Moira [Ava Gardner] to get drunker and, later that night when the party is over, try to get Towers to explain to her what happened and why. He can’t explain it any better than anyone else – the film is far vaguer than [Nevil] Shute’s book with a geopolitical scenario for global nuclear war – but it’s the beginning of a simmering flirtation that was inevitable once Kramer put [Gregory] Peck and Gardner in the same frame.

[Anthony] Perkins, Gardner and Astaire all play Australians but while Perkins and Astaire attempt a spotty accent in early scenes it’s gone long before the end of the picture and Gardner doesn’t even bother. It probably didn’t matter much to American audiences at the time, but what did bother Shute was the changes Kramer made to the budding romance between Moira and Towers.

In adapting the story with screenwriter John Paxton, John Osborne became Julian Osborn and was aged up from a man in his late twenties to the spry but senior Astaire. Moira was also aged up from a petite blonde in her twenties to the curvaceous brunette Gardner, attractive but showing every bit of her hard-lived thirty-six years, and still able to draw the stares of a shipful of sailors on the aircraft carrier HMAS Melbourne as she walks down the dock to the Sawfish. This all makes On the Beach a movie artifact of a world of adults, glimpsed just before youthful demographics would banish that world to ancient history.

* * * * * * * * *

 On the Beach is such a famous, relentless downer that it’s no surprise, with or without the efforts of the USIA, the State Department, the OCDM and the Pentagon, the film flopped at the box office. Eisenhower needn’t have worried. And as if confirming the old adage about “first time as tragedy, second as comedy”, five years later Stanley Kubrick would tell a nuclear war story as essentially bleak and hopeless with Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.

In sharp contrast to the grim slog of On the Beach, at least Kubrick, his cast, and the movie’s viewers had plenty of fun before the world blew up. As Kubrick later told an interviewer, “I started work on the screenplay with every intention of making the film a serious treatment of the problem of accidental nuclear war. As I kept trying to imagine the way in which things would really happen, ideas kept coming to me which I would discard because they were so ludicrous. I kept saying to myself: ‘I can’t do this. People will laugh.’”

ANDREW STILES: Rest in Pieces: Ali Khamenei, Demure Progressive Stalwart and ‘Black Lives Matter’ Ally Who Inspired Democrats and Academics, Bombed to Death at 86.

Ali Khamenei, the “Black Lives Matter” advocate and long-serving supreme leader of Iran, was a guiding light to Democratic lawmakers, Ivy League professors, and other progressive ideologues who endorsed his intellectual appraisal of America’s evil and the treachery of Jews.

In darkness they must now persist.

The ayatollah died like a dog Saturday when his “secure” compound in central Tehran was caved in by several dozen of the biggest, most beautiful bombs ever made. Khamenei’s body, so austere and worldly, torn to shreds. His mangled face adorned with one of history’s most distinguished beards. His agile mind—inquisitive and playful—literally blown amidst the ashes of scholarly texts and quirky beach reads. A name crossed off the top of Uncle Sam’s list. The emphatic ring of Mother Freedom’s bell. It must have felt as if the whole wide world was raining down. Because it was.

“Khamenei, one of the most evil people in History, is dead,” President Donald Trump wrote on Truth Social. He was 86.

The Iranian people cheered a tyrant’s demise and hoped for what could be. You could tell their joy was real and not the Kamala Harris kind. The ayatollah’s left-wing comrades sobbed like sloppy seventh graders. They shook their fists at mushroom clouds and wept for what had been. The revolution. The hostages. The oil nonsense. Decades of degenerate behavior and the targeting of American soldiers. The homespun hipster in his button-down shirt (also killed). The slow death of the Iranian economy, which even the Obama nuclear shake-down couldn’t stop.

They had to hand it to the supreme leader.* Fans commended him for dying honorably—on his own terms, mid-resistance, cowering in a bunker, surrounded by his closest friends and military commanders. They touted his progressive bona fides—he understood that decolonization was more than vibes and essays. In May 2020, he penned an eloquent clapback against white supremacy after the death of George Floyd. He never took Trump’s calls or laughed at a misogynistic joke, which in some ways made him even more of a winner than the USA men’s hockey team. He inspired a generation of Ivy League losers to hate Jews even more than they hate themselves.

* Not necessarily:

“IT’S ALL GLOBAL GEOSTRATEGY TO COUNTER CHINA:”

21st CENTURY RELATIONSHIPS:

ELECTIONS HAVE CONSEQUENCES:

OPEN THREAD: There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-threading.

CAPTAIN OF THE SOMALI PIRATES HAS THOUGHTS:

Fair enough; this one has being going on since 1979:

I know he’s just turned 86, but I’d love to get a quote from Ted Koppel about today’s events: Feb. 28, 2026: The Day Trump Paid the Mullahs Back — and Gave Persians a Chance.

UPDATE: Iran’s Top 20 Attacks On The West, From Carter to Obama and Biden.

BOTTOM STORY OF THE DAY: Iran’s soccer federation head doubts country will play in 2026 World Cup after US-Israeli strikes.

The president of Iran’s soccer federation says he does not know if the national team can play World Cup matches in the United States following the surprise US and Israeli bombardment of his country.

“What is certain is that after this attack, we cannot be expected to look forward to the World Cup with hope,” Mehdi Taj told sports portal Varzesh3 as Iran traded strikes with Israel as part of a widening war prompted by the bombardment.

The US-Israeli strikes on Iran continued for a second day on Sunday after the killing of Iranian Supreme Leader Ayatollah Ali Khamenei threw the future of the Islamic Republic into uncertainty and raised the risk of regional instability.

Time to fire up the Dacia Sandero in response:

ON TONIGHT’S TOP GEAR, THE STIG POWER TESTS JAGUAR’S NEW RECREATION OF THEIR LEGENDARY D-TYPE THAT WON LE MANS IN 1957!

Much like Anheuser-Busch producing a Super Bowl commercial with Clydesdales, eagles, Lynyrd Skynyrd’s “Freebird,” and good ole boys rather than Dylan Mulveney, presumably Tata Motors, the Indian company that owns Jaguar is reissuing some of their classics and inviting drivers like Ben Collins to film road tests for YouTube in the hopes that they can put this 2024 monstrosity behind them:

 

From December: Report: Executive Who Spearheaded Jaguar’s Woke Genderbender Rebrand Fired, Escorted Out of Building by Security.

NOAH POLLAK: “One of Trump’s greatest legacies will be how he blew up a half-century of western diffidence, restraint, and failure on terrorism.”

Blowing up a half-century of western diffidence, restraint, and failure is pretty much Trump’s wheelhouse, as Glenn wrote in 2022: Donald Trump and America’s New Class War.

IT’S SATIRE…OR IS IT?

ITS ORIGIN AND PURPOSE, STILL A TOTAL MYSTERY: 3 dead, 14 injured in Austin shooting; suspect identity confirmed as Senegal national.

Three people are dead and 14 others are injured following a mass shooting at Buford’s on West 6th Street early Sunday, officials said. The suspect was fatally shot by police officers at the scene.

CBS News has confirmed the identity of the suspect as Ndiaga Diagne, a naturalized American citizen born in Senegal.

The FBI is now involved with the investigation into the shooting, authorities confirmed at a press conference around 9:30 a.m. Sunday morning.

It takes Austin’s CBS affiliate 16 paragraphs to get to these details:

Related:

WHIP INFLATION NOW!

Shot:

In 1964, the first heroic period of the Space Age was just opening; the United States had set the Moon as its target, and once that decision had been made, the ultimate conquest of the other planets, appeared inevitable. By 2001, it seemed quite reasonable that there would be giant space-stations in orbit round the Earth and—a little later—manned expeditions to the planets. In an ideal world, that would have been possible: the Vietnam War would have paid for everything that Stanley Kubrick showed on the Cinerama screen.

—Excerpt from Arthur C. Clarke’s 1982 epilogue to his 1968 novelization of 2001: A Space Odyssey. 

Chaser:

(Classical reference in headline.)

HEH, INDEED:

WE WIN. THEY LOSE:

(Classical reference in headline.)

WE’VE DESCENDED INTO SOME SORT OF BIZARRE HELL-WORLD IN WHICH BOY GEORGE IS A VOICE OF SANITY:

I’M SORRY, GIVEN HOW LONG IT TOOK TO BUILD UP OUR MIDDLE EAST ARMADA, THE PROTESTORS COULD HAVE AT LEAST ASSEMBLED SOME GIANT PAPIER-MÂCHÉ PUPPETS:

Tweet continues, “Communism is a cult without a God. It demands your entire life in service to them. You’re seeing that there are a lot of Communists out there who are dedicated to destroying the country.

Including feminist and clean energy icon Jane Fonda, who is all-in to mourn the oil-rich mullahs:

UPDATE:

ANOTHER AUSTERE RELIGIOUS SCHOLAR MOURNED BY THE WAPO: WashPost Touts Khamenei as Man With an ‘Easy Smile’ and Love of ‘Poetry.’

In the wake of Iranian Supreme Leader Aylatollah Khamenei coming down with a killer headache after getting a U.S. warhead on his forehead, on Saturday, The Washington Post published one of their infamous glowing remembrances of Islamic terrorists. The paper fondly remembered the brutal Islamic dictator as a “avuncular figure” with an “easy smile” and love for “Persian poetry.”

Readers might remember when The Post fluffed up the former leader of ISIS as an “austere religious scholar”; well, they back at it again with Khamenei in their obituary titled: “Ayatollah Ali Khamenei, Iran’s supreme leader, is dead at 86.”

The sub-headline brushed over Khamenei’s authoritarian rule: “He played a behind-the-scenes role in Iran’s Islamic revolution, served as president in the 1980s and dominated the country for more than three decades.”

“Ayatollah Ali Khamenei, the Shiite Muslim cleric who played a behind-the-scenes role in Iran’s Islamic revolution, served two terms as president in the 1980s and dominated the country for more than three decades as supreme leader, was killed Saturday as Israel and the United States launched a joint attack on Iran. He was 86,” wrote William Branigin.

Flashback: Washington Post faces backlash for headline calling ISIS terrorist ‘austere religious scholar.’

UPDATE: