Author Archive: Glenn Reynolds

REVIEW: I Drove The Lamborghini Revuelto. It’s Part Rocket, Part Sculpture, All Insanity. Here’s My Review. “The Revuelto replaces the Aventador, a car that for over a decade served as Lamborghini’s flagship and the poster on a million bedroom walls. I’ve driven the Aventador, and I loved it for what it was: loud, dramatic, unapologetic. But that car had rough edges. The single-clutch automated manual gearbox could rattle your fillings. The ride was punishing. It was a theatrical experience, but not always a pleasant one. The Revuelto takes everything the Aventador promised and actually delivers it.”

KEIR STARMER’S REGIME WOULD BE A CLOWN SHOW IF IT WEREN’T FOR ALL THE RAPES AND STABBINGS:

UPDATE (From Ed): Metaphor alert:

I BELIEVE IT:

UPDATE: Hell, it feels better than our grandparents felt waiting in gasoline lines.

THEY’RE NOT EVEN PRETENDING THAT IT’S ABOUT ANYTHING OTHER THAN SQUASHING POLITICAL OPPOSITION:

Actually, they haven’t pretended for a while. I mean at first I thought this was satire but there’s no sign of it.

HE HAS MUCH TO RUN FROM:

GOOD:

RIGHT?

Related thoughts here.

IT’S GOTTA AT LEAST BE TOP 3:

Flashback: My Nigerian Grandfather Sold Slaves. “Nwaubani Ogogo lived in a time when the fittest survived and the bravest excelled. The concept of ‘all men are created equal’ was completely alien to traditional religion and law in his society. It would be unfair to judge a 19th Century man by 21st Century principles. Assessing the people of Africa’s past by today’s standards would compel us to cast the majority of our heroes as villains, denying us the right to fully celebrate anyone who was not influenced by Western ideology.”

There’s a mythology that white slave traders ran around the bush kidnapping Africans, but that’s bunk, of course — they’d pretty much all have died. They bought African slaves from Africans. My brother talked to people in Ghana about that some years ago, and they reflected little guilt: Back then if you lost a war, you either died or were enslaved. That’s just how it worked.

One of the reasons Zora Neale Hurston’s Barracoon couldn’t get published when she wrote it was that the black literary community didn’t like that it portrayed the extent of African complicity in slavery. But history is history, despite efforts to rewrite it.

OPEN THREAD: Do your best.