Archive for 2022

OSCARS MAKE SURPRISE IN-KIND CONTRIBUTION TO DESANTIS REELECTION CAMPAIGN: Oscars Hosts Taunt Florida: ‘Gay, Gay, Gay, Gay, Gay.’ DeSantis Press Secretary Drags Them: ‘Florida Will Never Recover From This.’

Earlier this month, DeSantis, responding to a reporter who used the leftist verbiage of calling the bill the “Don’t Say Gay” bill, fired back:

Does it say that in the bill? Does it say that in the bill? I’m asking you to tell me what’s in the bill because you are pushing false narratives. It doesn’t matter what critics say. For who? For grades pre-K through three. So, 5-year-olds, 6-year-olds, 7-year-olds, and the idea that you wouldn’t be honest about that and tell people what it actually says is why people don’t trust people like you because you peddle false narratives. And so we disabuse you of those narratives. And, we are going to make sure that parents are able to send their kids to kindergarten without having some of this stuff injected into their school curriculum.

Yet another reminder: Hollywood Is a Sex-Grooming Gang.

IF WASHINGTON IS HOLLYWOOD FOR UGLY PEOPLE, HOLLYWOOD IS HOLLYWOOD FOR TRASHY PEOPLE: Will Smith HITS Chris Rock during live Oscars broadcast after firebrand comedian joked about his wife Jada Pinkett Smith’s ‘GI Jane’ haircut. “Meanwhile, the organizers of the Oscars are under fire for paying ‘tribute’ to the people of Ukraine without mentioning the country by name or directly addressing Russia’s invasion, despite the hosts’ eagerness to go after domestic political issues.”

Well, to be fair, the Oscars is a garbage show about a garbage industry run by garbage people.

UPDATE (From Ed): Here’s the video (language warning, needless to say):

FLASHBACK: French Fighter Jet Joy Ride Goes Très, Très Wrong. “A French defense contractor riding in a Dassault fighter learned the hard way that the grab bar next to his seat was actually the ejection handle.”

THE #RESISTANCE IS EVERYWHERE: A reader emails: “I’m in Florence, Italy at the Lions Fountain bar. This was the mens room toilet.”

CANADIAN MEDIA IGNORES SCOLDING OF TRUDEAU WHILE REST OF WORLD REPORTS IT:

Despite Canadian legacy media outlets burying the story, the reprimand of Prime Minister Justin Trudeau by European parliamentarians in Brussels has made headlines around the world.

Trudeau was treated to scathing condemnation by several Members of European Parliament (MEP) after giving a speech to the European Union on Wednesday.

Croatian MEP Mislav Kolakusic called out the Canadian prime minister for engaging in a “dictatorship of the worst kind” over his treatment of peaceful Freedom Convoy protestors in February.

At least three other MEPs echoed Kolakusic’s remarks, with Romanian MEP Cristian Terheș entirely boycotting Trudeau’s speech.

Just think of the Canadian media as Liberal Party operatives with bylines, and it all makes sense.

I AGREE:

KIM JUNG-UN TAKES STARRING ROLE IN PROPAGANDA FILM TO PROMOTE NORTH KOREA’S MASSIVE MISSILE LAUNCH:

North Korean leader, Kim Jong Un, wearing a leather jacket and shades, has played a leading role in a propaganda film promoting the country’s launch of its latest massive intercontinental ballistic missile (ICBM).

The 11-minute Hollywood action movie-style video featured slow motion and speeded up sequences of Kim Jong-un walking side-by-side with military officials, apparently inspecting what North Korean TV called a “new-type ICBM” ahead of its launch at Pyongyang’s international airport.

He is also seen looking repeatedly at his watch during the countdown to launch and whipping off his sunglasses to look directly at the camera in what is North Korea’s most provocative weapons demonstration since US President Joe Biden took office.

In stills released to accompany the video, the leader and military men are seen cheering after launch as rousing music plays.

For North Koreans who aren’t digging the clip, which blends Soviet-style propaganda and MTV-era rapid cutting, they may be out of luck: “In North Korea, access to media from the outside world is strictly controlled, and TVs and radios are manufactured to only pick up domestic channels and must be registered with the authorities. But residents do find ways to access South Korean signals, either by using foreign televisions or modifying domestic ones. Getting caught during routine inspections with a TV that can pick up illegal signals is a punishable offense. Residents with more than one television hide their illegal TVs during inspections, only to bring them out again to watch Seoul’s latest hot drama or variety show, former residents told RFA. Authorities are aware of the deception and have issued a directive that every household in the city declare to their local neighborhood watch unit how many televisions they have.”

PAST PERFORMANCE IS NO GUARANTEE OF FUTURE RESULTS:

Shot:

Chaser:

“Well, there’s that passage about tearing down the Wall,” Reagan said. “That Wall has to come down. That’s what I’d like to say.”

The speech was circulated to the State Department and the NSC three weeks before it was to be delivered. For three weeks, State and the NSC fought the speech. They argued that it was crude. They claimed that it was unduly provocative. They asserted that the passage about the Wall amounted to a cruel gimmick, one that would unfairly raise Berliners’ hopes. There were telephone calls, memoranda, and meetings. State and the NSC submitted their own alternative drafts–as best I recall, there were seven–one of them composed by Kornblum. In each, the call for Gorbachev to tear down the Wall was missing.

This presented Tom Griscom with a problem. On the one hand, he had objections to the speech from virtually the entire foreign policy apparatus of the U.S. government. On the other, he had Ronald Reagan. The president liked the speech. Griscom had heard him say so. The president especially liked the passage about tearing down the Berlin Wall, the very part of the speech to which the foreign policy experts were most vehemently opposed. If that passage had to come out, it would be Griscom’s job to explain to Reagan why.

The week before the president’s departure, the battle reached a pitch. Every time State or the NSC registered a new objection to the speech, Griscom summoned me to his office, where he had me tell him, one more time, why I was convinced State and the NSC were wrong and the speech, as I had written it, was right. (On one of these occasions, Colin Powell, then national security adviser, was waiting in Griscom’s office for me. I held my ground as best I could.) Griscom was evidently waiting for an objection that he believed Ronald Reagan himself would find compelling. He never heard it. When the president departed for the Venice summit, he took with him the speech I had written.

On the very morning Air Force One left Venice for Berlin, the State Department and the National Security Council made a last effort to block the speech, forwarding yet another alternative draft. Griscom chose not to take it to the forward cabin. Air Force One landed. Hours later, President Reagan delivered his speech.

There is a school of thought that Ronald Reagan managed to look good only because he had clever writers putting words into his mouth. (Perhaps the leading exponent is my former colleague Peggy Noonan, who while a Reagan speechwriter appeared in a magazine article under a caption that said just that: “The woman who puts the words in the president’s mouth.”) There is a basic problem with this view. Jimmy Carter, Walter Mondale, George Bush, and Bob Dole all had clever writers. Why wasn’t one of them the Great Communicator?

Because we, his speechwriters, were not creating Reagan; we were stealing from him. Reagan’s policies were straightforward–he had been articulating them for two decades. When the State Department and the National Security Council began attempting to block my draft by submitting alternative drafts, they weakened their own case. Their drafts lacked boldness. They conveyed no sense of conviction. They had not stolen, as I had, from Frau Elz–and from Ronald Reagan.

“Tearing Down That Wall,” Peter Robinson in The Weekly Standard, then-edited by Bill Kristol, June 23rd, 1997.

Related: Blinken continues cleanup of Biden’s Putin ‘cannot remain in power’ remark.

More: Zelensky Responds to Joe Biden’s ‘Historic’ NATO Speech in Less Than Flattering Terms.

“TV – THAT’S WHERE MOVIES GO WHEN THEY DIE:” Rewatching the First Televised Oscars.

One decision the AMPAS board of 1953 did not have to anguish over was the selection of the host: the availability of stand-up comedian and radio and film superstar Bob Hope made life easy. The most versatile, reliable, and motor-mouthed MC of the mid-twentieth century, especially when his writers were waiting in the wings, Hope had first hosted the ceremonies in 1940 when Gone With the Wind took home eight Oscars (“What a wonderful thing — this benefit for David Selznick!”) and he would perform the duty 13 times in all, up until 1978.

The minute Hope walks to the podium he owns the room.  His cascade of non-stop punchlines taps two main veins: side-eyed swipes at television (“Jack Warner still refers to TV as that furniture that stares back”) and the long-running gag about his unrequited Oscar-love. (“I like to be here just in case. You can never tell — one year there might be