THEY KNOW IT WHEN THEY SEE IT:

Michael Moore’s contentious film Fahrenheit 9/11 has opened in Poland, with some film critics likening it to totalitarian propaganda.

Gazeta Wyborcza reviewer Jacek Szczerba called the film a “foul pamphlet”.

He said it was too biased to be called a documentary and was similar to Nazi propaganda director Leni Riefenstahl. . . .

“In criticising Moore, I have to admit that he has certain abilities – Leni Riefenstahl had them too,” Mr Szczerba said in his review.

Ouch. Ann Althouse observes:

It is heartening to see that exposure to propaganda breeds resistance to it.

There are many huge differences between Moore and Leni Riefenstahl, though. Quite aside from the fact that she was working in support of Hitler and Moore is working against Bush (and Bush is no Hitler, despite some noise to the contrary), Riefenstahl would have snorted at the lack of artistry in Moore’s work.

No doubt.