VIRGINIA POSTREL: Iron Lady Falls to the Anna Quindlen Doctrine. “In the days of the old Hollywood Code, female characters were inevitably punished if they strayed from traditional sexual mores. Today, female characters (and many men as well) must suffer if they violate a different, unwritten code. This new code declares that one’s worth depends on personal relationships, not public actions, and that sacrificing family time for the sake of achievement is nothing but short-sighted selfishness. Hollywood enforces the Gospel According to Anna Quindlen. . . . These supposedly feminist filmmakers could have portrayed Thatcher as an ambitious woman who had nothing to feel guilty about. Instead they chose to inject guilt where it did not belong. They obscured Thatcher’s public accomplishments in a fog of private angst. The portrait of dementia isn’t the problem. The way the film uses old age to punish a lifetime of accomplishment is.”