Author Archive: Ed Driscoll

DON’T MOURN THE DEATH OF TV:

At first, the establishment was caught flat-footed by the internet. After being blindsided by Trump’s 2016 victory, it took analysts his entire term to recognize the seminal role that alternative media played in his victory – something that COVID and the associated increase in conservative institutional distrust served to underline.

In this light, the hypocrisy, lies and injustices of 2020 and the early Biden presidency can be seen as the ungraceful swan song of the 20th century television world. The concealing of the unmistakably violent nature of the Black Lives Matter riots, the spinning of narratives suggesting that anti-vaxers (a slur by any reasonable definition) were responsible for the deaths of thousands of Americans, and, of course, the brazen censorship of those with concerns about the integrity of the 2020 presidential election; never before and never since was the manipulation more apparent – and hopefully, given television’s continued decline, it never will be again.

President Trump’s persistence through that brief but intense dark age is a testament to how impotent it all was. Had January 6th occurred twenty-five years ago, it’s unlikely that the media-manufactured narrative of a violent putsch to establish a dictatorship would have been meaningfully contested. After years of baying for reprisals, vilifying those involved as un-American terrorists, and canonizing January 6th as the newest installment in America’s long series of historical black spots to be overcome, few bit. Nobody really ended up caring, and recent attempts to condemn the President as having spared terrorists their rightful fate are entertained only by those poor souls whose eyes and ears are still in thrall to what remains of network television. America is better for having largely abandoned television, and the results speak for themselves.

It was a gradual process: as viewers increasingly abandoned television news, television executives allowed their newsmen to abandon half of their potential audience of viewers. From Dan Rather cooking the books in September of 2004 to attack President Bush, to the entire DNC-MSM railing against “cheap fakes” twenty years later in an utterly futile attempt to protect their party’s (p)resident, TV news did everything it could to hasten its own demise.

IT WAS MY UNDERSTANDING THAT THERE WOULD BE NO MATH: Mamdani’s government grocery stores plan is based on an accounting error.

Here are the hard numbers: All in all, the city has given up about $30 million in tax revenue through this program. In the last six years, since FRESH got into full swing, the program has reduced revenue by about $20 million total, according to the city’s estimates. That is, it costs an average of $3.3 million per year. So, this program would take 42 years to cost the city the $140 million that Mamdani says “the city is set to spend” on it.

So why does Mamdani use that $140 million number?

He misread the city’s webpage.

The city’s Economic Development Corporation estimates that grocery stores have invested $140 million of their own money thanks to the FRESH program. Mamdani is counting the $140 million in private spending as government spending.

Was it over when the Germans bombed the 54th Street D’Agostino’s? Forget it, he’s rolling.

Related: From Glenn in the New York Post: Mamdani’s grocery scheme is foolish — but there’s method to the madness.

BOB VYLAN ARE A PRODUCT OF THE ESTABLISHMENT:

On the title track of their latest album, Vylan tells us:

Black man shine

Completing my goals on black man time

No blacks, no dogs, but the Irish are fine

This is a reference to the “No Blacks, No Dogs, No Irish” signs which, as everybody knows, haunted Britain in the 50s and 60s. But they didn’t. It’s a myth. “Got a message to the thieves in the palace,” Vylan snaps on “Reign”, “We want our jewels back.” Repatriation is of course the cringing obsession of British museums — and there is no doubt that some artifacts were seized from British colonies. But the Crown Jewels, as a collection, have existed for the best part of 1000 years. Many more recent objects were legitimately acquired. Why Mr Vylan has a greater right to the Cullinan Diamond than Thomas Cullinan, who extracted and sold it, is unclear.

Onstage at Glastonbury, meanwhile, Vylan performed in front of the slogan “This country was built on the backs of immigrants”. This is an obvious reference to the “You called … and we came” Windrush narrative, most recently promoted by Prime Minister Keir Starmer. But, again, it is a myth. Non-European immigration played a small part in the post-war reconstruction of Britain. As Ed West writes, the prominence of HMT Empire Windrush in the national imagination can be boiled down to “well-intentioned inclusive myth-making”.

The Vylans are the angry product of a cultural orthodoxy which has confused reflexive oikophobia with deep and radical thought. Unlike self-flattering commentators, critics and curators, though, they have taken this thought to its emotional conclusions — being patted on the back by taste-makers as they do so. To prosecute them would be wrong on its own terms — but it would also be to affirm their radical delusions. Finally, it would be proof of revolutionary credentials.

Related: Bob Vylan dropped from festivals in UK, France and US after Glastonbury chant sparks backlash and visa ban.

Iowahawk notes that while they’re officially dropped, they could always drop in on a music festival:

THE CRITICAL DRINKER: Save Us From The Male Gaze!

WAIT, I THOUGHT EVERYBODY DIED ALREADY FROM NET NEUTRALITY ENDING AND GLOBAL COOLING WARMING:

DNC-MSM FINALLY DISCOVERS A TAX IT HATES: Taxing remittances is a big risk for very little reward.

A proposal to tax remittances sent by individuals without Social Security numbers has passed the House and is now before the Senate. At 3.5%, the levy was initially expected to raise $26 billion over the next decade.

Changes made by the Senate on Saturday greatly narrowed the scope, so the tax would be 1%, and the yield only $10 billion over the next decade. However, the goals have remained the same: deter undocumented migration and recoup funds from those working outside legal status who send money to their families back home.

It might seem like easy money to tax migrants, but that doesn’t make it smart policy. The proposed tax risks undermining both financial transparency and national security. The policy would push billions of dollars into unregulated channels such as cryptocurrency exchanges, make law enforcement’s job harder and ultimately hurt the very communities the United States seeks to stabilize abroad for geopolitical reasons.

The U.S. is the world’s largest source of remittances, and Mexico has the highest dependency on them; 97% of the money Mexican expats send back home comes from the States ($64.75 billion in 2024). A 1% tax on remittances to Mexico alone could take much-needed funds away from migrants and their families and divert it to the state. While this might sound like a straightforward revenue win, the real-world impacts are more complicated and the slippery slope of allowing for remittance tax can have unintended negative consequences for everyone.

And yet:

TRUMP SCORES $16M PAYOUT FROM PARAMOUNT AFTER EXPOSING DECEPTIVELY EDITED KAMALA INTERVIEW:

Former CBS News reporter Catherine Herridge posted on X, “As Trump campaign calls on @60Minutes to release ‘full, unedited transcript’ of Kamala Harris interview … There is precedent. When I interviewed then President Trump in July 2020 @CBSNews we posted the interview transcript.” Herridge noted that the left-wing network did the same thing for its 2019 interview with then-U.S. Attorney General Bill Barr. “Full transcript = journalistic transparency,” she added.

Sen. John Thune (R-SD) told The Daily Wire: “If the Harris campaign stands by all of the vice president’s comments, then I’m not sure why they wouldn’t support releasing the full interview. In fact, their refusal to join these calls only raises more questions.”

Senate Republican Conference Chairman John Barrasso (R-WY) also called on “60 Minutes” to release the full interview. “CBS has proven its bias,” Barrasso told The Daily Wire.  “A news organization should never selectively edit a candidate’s words. The American people deserve full transparency and the full transcript.”

“Trump will receive $16 million upfront,” Fox News reported. “This will cover legal fees, costs of the case, and contributions to his future presidential library or charitable causes, to be determined at Trump’s discretion. There is an anticipation that there will be another allocation in the mid-eight figures set aside for advertisements, public service announcements, or other similar transmissions, in support of conservative causes by the network in the future. … Going forward, the network will promptly release full, unedited transcripts of future presidential candidates’ interviews.”

Without accompanying video, how do we know how accurate the transcript is? As Glenn has written, bring your own camera when being interviewed. Because otherwise:

IT’S 2025, TRUMP’S BACK IN OFFICE, AND CNN IS BACK TO DOXXING AMERICANS: CNN Helpfully Explaining the Latest in ICE Tracking Apps in Case You, Like, Need to Know.

It’s not like we don’t all know that CNN despises Trump and that CNN anchors and personalities think every illegal alien is another Maryland man just waiting to be free so he can buy a little home in the burbs.

CNN’s mission is to do their level best to make sure those illegals get their share of the American pie, even if it means taking your slice.

In order to do that, they have to mount a stealth mission against the forces of evil – the Trump administration – through all means fair or foul, mostly foul. That includes the nightly diatribes on the various roundtables when Trump policies and enforcement news of the day is loudly decried as inhuman, inhumane, unconstitutional, or all of the above. Even if it means taking repeated corrective ass whuppins from Scott Jennings, they stick like progressive glue to the message no matter what kind of lie they made up to spew.

The ‘reporters’ and ‘news’ anchors have to be a little cagier getting the subversive message across so as not to shred what little credibility they have left, and cause the rest of the six folks in their viewing audience to finally flush the channel from their remote’s station memory.

This was a particularly wicked example of CNN’s creative reporting last night.

Oh, my gosh! The ingenue-like, innocently wide-eyed ‘news’ anchor says to the CNN reporter.’ I heard there’s some chill-axe kind of ICE tracking app people are using. Sounds neat. What exactly is it and HOW DOES IT WORK?

Um…OKAY.

So she shows him.

TRACK REAL-TIME ICE MOVEMENTS JUST LIKE THIS ON THIS APP YOU COULD GET IF YOU WANT RIGHT HERE

During Trump’s first term, we frequently referred to CNN as the Doxxing Network, so it’s not at all surprising to see them quickly reverting to form once again.

UPDATE: This is the way:

FINALLY, THE LONG-AWAITED MIAMI VICE MEETS LOONEY TUNES CROSSOVER EPISODE: Florida beachgoer finds nearly half a million dollars of cocaine wrapped in “Yosemite Sam” packaging.

A major storm has yet to hit Florida this hurricane season but that hasn’t stopped the annual deluge of drugs from making landfall.

A beachgoer on Sunday morning stumbled across nearly $500,000 worth of cocaine wrapped in “Yosemite Sam” packaging washed up on shore, authorities said, marking yet another discovery of illicit drugs along coasts in the Sunshine State.

The 25 kilos of drugs were wrapped in packaging featuring the iconic gun-brandishing cartoon character, the Walton County Sheriff’s Office said in a social media post, which included images of the cocaine.

“While enjoying our beautiful beaches, if you come across any square groupers, PLEASE call the Walton County Sheriff’s Office immediately and DO NOT touch suspicious packages,” the office said. “The contents could be extremely harmful. We’re here if you need us.”

Authorities said they confiscated the narcotics and logged them into evidence.

Well, now we know where Bugs, Daffy, and Porky got all their energy from:

DANA CARVEY LOOKS BACK AT PLAYING THE (P)RESIDENT:

So the comedians all knew that Biden’s brain was guacamole, as did Republicans. And yet somehow, until right around this time a year ago, America’s journalists just couldn’t figure it out. As Charles Cooke wrote a year ago:

I think that the press helped to cover up Joe Biden’s condition, and that it did so as a matter of habit, out of a corrupt desire to help the Democratic Party. Some in the press strongly deny this. They insist that they didn’t know how bad it was. They say that they were as shocked as anyone by what they saw last Thursday night. They contend that they are not the perpetrators but the victims.

Okay, then. If that’s true, we ought to talk through its implications. If it’s true, then the press was duped — and duped by the federal government of the United States of America. If it’s true, then the executive branch has been engaged in a massive — and effective — conspiracy to keep Biden’s infirmity from the people who are supposed to report the news. If it’s true, then the White House fooled the media; it outwitted the media; it embarrassed the media. If it’s true, then the president and his political party colluded to suppress the ability of the sacred Fourth Estate to relay matters of public interest to the voters, and, in the process, it made a mockery of the First Amendment.

So . . . is the press gonna investigate that? It certainly sounds like a big story to me.

That would be no. Jake Tapper and Alex Thompson’s book was simply a box ticking exercise in an effort to memory hole the media’s gaslighting during the previous five years:

THE PRIDE SLIDE: In his Commentary newsletter today, Abe Greenwald writes:

As we discussed on the podcast today, a new Gallup poll finds that 58 percent of U.S. adults are “very” or “extremely” proud to be an American. This is a record low. For purposes of comparison consider that, in January 2001, when Gallup first ran this poll, 87 percent of those asked were very or extremely proud Americans. After 9/11, that shot up to 90 percent.

Dismal as this drop is, at least we can say that most Americans are still proud of their country.

Not so for Democrats—not even close. From Gallup: “Democrats are mostly responsible for the drop in U.S. pride this year, with 36% saying they are extremely or very proud, down from 62% a year ago.” Republicans are at 92 percent, and independents are at 53 percent.

* * * * * * * *

As Democrats have come under the sway of progressive and leftist ideas, they’ve come to agree that the U.S. is, on balance, a nasty place. Their pride in the country is conditional: It surfaces only when one of their own is in the White House. Which isn’t national pride at all—it’s pridefulness. No one put it better than Michelle Obama, who said of her husband’s Democratic nomination in 2008, “for the first time in my adult lifetime, I am really proud of my country.”

It never occurs to them that they can be proud of their country even when it’s not directly rewarding them. They can’t be proud of our being the oldest continuous democracy on the planet. They can’t celebrate the genius of our Constitution and its built-in mechanisms for preserving liberty and facilitating ongoing national improvement. What does America mean to them? Depends who’s in power when you ask. There’s no constancy to their appreciation of the greatest country the world has ever seen.

Related: ‘America First’ Vs. ‘America Worst:’ In Gallup Shock Poll, Dems Have QUIT on America.

If you only saw those headlines, you’d think this was a story about Donald Trump dividing Americans: “That Orange Monster has done it again! We TOLD YOU he was ‘literally Hitler.’ And now, finally, the rest of the country is so disgusted with his fascist MAGA garbage, they’ve — *sniff* — lost their pride in America! This is TERRIBLE!”

That’s the power of headlines. When it comes to propaganda, “fake news,” and misinformation, headlines are still one of the top tools in the propagandists’ toolkit.

Because, when we take a peek under the hood of Gallup’s poll, an entirely different story emerges: This isn’t a tale about Trump dividing America! Nor is it a story about “everyday Americans” forsaking the hopes and dreams of Lee Greenwood.

Instead, it’s a story about Democrats giving up on America.

According to Gallup’s own numbers, in 2001, 90% of Republicans were “extremely” or “very” proud of being an American. Almost an identical number of Democrats — 87% — felt the exact same way.

About eight years later, during the first year of the Obama administration, Republican numbers were pretty much unchanged: 92%.

Yet the Democratic numbers fell to 78%.

And eight years after that (2017), Republican numbers stayed remarkably constant: 92%.

The Democratic number dropped again, to 67%.

Just six years later (2023), the Democrats were back in control of Washington, DC. Joe Biden (and his top aide, Mr. Autopen) were back in the White House. Remember, this was the era of open borders, pro-Hamas protests, and anti-American activism run amuck. Yet once again, Republican pride in America stayed incredibly consistent: 85%.

Meanwhile, the Democratic number dropped to 55%.

So here we are today, in the summer of 2025. Two more years have passed. Gallup just released its latest numbers on American pride, and for the umpteenth time, the Republican numbers are almost entirely unchanged: 92%.

This means that Republicans were just as proud of being an American under the first year of Trump’s second term as they were during the first year of Obama’s first term!

That’s because, for Republicans, American pride isn’t tethered to a politician’s career. We don’t stop loving our country just because we don’t win on Election Day. Instead, it motivates us: Because we love our country, we fight even harder in the following cycle!

Not so with the Democrats: According to Gallup, their pride in America has now plummeted to just… 36%!

That’s the real story, when you look beyond the headlines: The Democratic Party has given up on America.

And yet, they never leave, and are furious at the prospect of illegal immigrants being removed from this vast hellscape of a nation:

BACK TO THE FUTURE: Zohran’s Mamdani’s Communist Solution to Create Affordable Housing in NYC? Bring Back ‘The Projects.’

Democrat mayoral candidate Zohran Mamdani wants to be the landlord for all of the Big Apple. He wants to bring back a failed government housing experiment for a new generation of ill-informed New Yorkers.

He explains it here with cartoons. (WATCH)

Jane Jacobs, call your office! You too, Theodore Dalrymple!

CHUCK SCHUMER, CLOSET LIBERTARIAN!

Yes, that would be a good start.

Flashback:

JOEL KOTKIN: Why we need to talk about black anti-Semitism.

Like the tragic children of Gaza, minority children are being groomed to hate Israel as well as the people who predominate there. In Oakland a teacher held an unauthorized teach-in, reports the New York Times, including a coloring book for elementary students with a Palestinian character who says, “A group of bullies called Zionists wanted our land so they stole it by force and hurt many people.”

This conflict poses a major problem for the Democratic Party, where both groups have long been key bastions. Most established Democratic figures including uber-party apparatchik Donna Brazile, Bill Clinton Nancy Pelosi, California Governor Newsom  have remained pro-Israel. But heavily-black Oakland recently elected as Mayor Barbara Lee, a longtime opponent of the Jewish state’s resistance; and in Los Angeles the anti-Israel Democratic Socialists  the party of New York’s Zohran Mamdani are ascendent.

Some, like the well-connected Bay Area publicist Sam Lauder insist that well-financed groups like his Democratic Majority for Israel will succeed in halting the pro-Hamas trend. There is certainly some solace to be found in the defeat, heavily funded by Jewish Democrats, of Squad members Corrie Bush and Jamaal Bowman. Yet this strategy also has its downsides: casting Jews as outsiders seeking to use their money to shape black leadership. This is likely to become a major theme in the upcoming New York mayoralty race where, as of now, African-Americans and Jews are the key electoral bulwarks against the rise of the anti-Israel socialist Mamdani.

Curiously, CTRL-F “Sharpton” brings up zero results: How Al Sharpton Inflamed The Crown Heights Riot And How The Media Lied.

TEST AUDIENCES UNEXPECTEDLY TERRIFIED OF DISNEY GROOMING THEIR KIDS: Inside Elio’s “Catastrophic” Path: America Ferrera’s Exit, Director Change and Erasure of Queer Themes.

Those who worked at Pixar while its latest film release, Elio, was in production were delighted by footage they saw roughly two years ago. Among the moments cited as favorites by those at the animation studio at the time included a sequence in which the titular boy collected trash on the beach and turned it into homemade apparel that included a pink tank top; the movie’s team would refer to Elio showing this off to a hermit crab as his “trash-ion show.”

But if you bought a ticket to Elio and don’t remember seeing this, it’s not just that you chose the wrong time to refill your soda. According to multiple insiders who spoke to The Hollywood Reporter, Elio was initially portrayed as a queer-coded character, reflecting original director Adrian Molina’s identity as an openly gay filmmaker. Other sources say that Molina did not intend the film to be a coming out story, as the character is 11. But either way, this characterization gradually faded away throughout the production process as Elio became more masculine following feedback from leadership. Gone were not only such direct examples of his passion for environmentalism and fashion, but also a scene in Elio’s bedroom with pictures suggesting a male crush.

* * * * * * * *

Elio’s turbulent ride began well before its calamitous nosedive at the box office during the June 20-22 corridor. Indeed, the summer of 2023 became a fateful one for the animated film about a lonely boy beamed into outer space by an intergalactic organization after being misidentified as the leader of Earth. The writing was first on the wall for the troubled production when the film from Molina, known as the co-director of Pixar’s Oscar-winning 2017 hit Coco, conducted an early test screening in Arizona. Although viewers expressed how much they enjoyed the movie, they were also asked how many of them would see it in a theater, and not a single hand was raised, according to a source with knowledge of the event. This sounded alarm bells for studio brass.

* * * * * * * *

After a yearlong delay, the film arrived in theaters June 22 and bombed with just $20.8 million domestically, the lowest opening frame at the box office in Pixar’s history.

“I was deeply saddened and aggrieved by the changes that were made,” says former Pixar assistant editor Sarah Ligatich, who provided feedback during Elio production as a member of the company’s internal LGBTQ group PixPRIDE. Although she praises Sharafian and Shi as filmmakers, Ligatich notes that a number of creatives working on the film stepped down after the directors shared their first cut of the movie. “The exodus of talent after that cut was really indicative of how unhappy a lot of people were that they had changed and destroyed this beautiful work.”

Kyle Smith tweets:

After Strange World and Lightyear, two movies with gay characters, flopped, Disney didn’t want to go in this direction again but apparently the animators are pushing hard for “queer themes.”

Speaking of an “exodus of talent,” a flashback to the #MeToo obsessed year of 2018: John Lasseter will leave Disney and Pixar at the end of the year, studio says.

Lasseter, who has been on a leave of absence from Disney since November, spearheaded numerous Pixar hits including the “Toy Story” and “Cars” movies. In a career that seemed to have no limits, Lasseter, 61, ascended the corporate ranks and transformed Disney’s vast animation business into a juggernaut for the digital age.

But while the entertainment industry heaped praise on him, some female employees who worked at Pixar alleged that they endured a corporate culture in which women were frequently marginalized and subjected to crude boys-club behavior. They said Lasseter and other senior creative leaders were protected from the repercussions of their conduct.

“The last six months have provided an opportunity to reflect on my life, career and personal priorities,” Lasseter said in a statement. “While I remain dedicated to the art of animation and inspired by the creative talent at Pixar and Disney, I have decided the end of this year is the right time to begin focusing on new creative challenges. I am extremely proud of what two of the most important and prolific animation studios have achieved under my leadership and I’m grateful for all of the opportunities to follow my creative passion at Disney.”

Disney executives have wrestled for months over what to do with Lasseter. Lasseter has been immensely valuable as a creative leader of Disney’s lucrative animation business and his influence has been felt throughout the company, including the theme parks, where he oversaw such attractions as Cars Land at Disney California Adventure theme park. Yet, in the wake of the Harvey Weinstein sexual misconduct scandal and the #MeToo movement, failing to respond decisively to complaints against Lasseter could have backfired and tarnished Disney’s standing among female employees.

If you’re wondering why Pixar movies no longer have the same stunning feel as Toy Story, The Incredibles and Up, there’s your answer.

WORST HITLER EVER: Trump Admin Demands UN Fire Palestinian Rights Envoy Over ‘Virulent Antisemitism and Support for Terrorism.’

The Trump administration has formally requested that the United Nations (U.N.) remove Francesca Albanese from her role as the special rapporteur on the occupied Palestinian territories, citing her “virulent antisemitism and support for terrorism” as well as her misrepresentation of her legal qualifications, according to private communications between U.S. and U.N. officials obtained by the Washington Free Beacon.

The U.N. reappointed Albanese—a vocal Israel critic who blamed the Jewish state for Hamas’s Oct. 7 terror spree and compared Israeli prime minister Benjamin Netanyahu to Adolf Hitler—to her post earlier this year over the Trump administration’s objections. Since that time, she has penned “threatening letters” to companies across the globe, warning them to cut business ties with Israel or face “potential criminal liability,” according to the Trump administration.

Albanese wrote threatening letters—which the Trump administration described as “riddled with inflammatory rhetoric and false accusations”—to some of the “most prominent American corporations in varied sectors including technology, financial services, manufacturing, and hospitality” in recent weeks, prompting the State Department to raise its concerns with U.N. secretary-general Antonio Guterres earlier this month and demand her termination.

Related:

HOW ONE MAN IN PAKISTAN ALLEGEDLY FLEECED ARIZONA’S HEALTH CARE SYSTEM FOR $560M:

A man operating from Pakistan fleeced more than $560 million from Arizona’s safety-net health care system by sending in false claims for drug and alcohol treatment, according to a grand jury indictment filed in federal court.

Arizona authorities have investigated businesses associated with the man, Farrukh Ali, for two years. They had not brought charges against him until the June grand jury indictment.

The purported fraudulent billings paid to Ali would represent a staggering 20% of the entire statewide “sober living” scheme, which authorities have said involved as much as $2.5 billion.

Finally, somebody read one of Matthew Lesko’s Free Money books and really applied himself.

MARK JUDGE: The end of Sally Quinn’s Washington.

Sally Quinn won’t return my emails. Perhaps Quinn, the doyenne of Washington, D.C., and the widow of the Washington Post legend Ben Bradlee, is overwrought. As she recently lamented in The New York Times, her city is under siege:

This spring Washington is a city in crisis. Physically, emotionally, psychologically and spiritually. It’s as if the fragrant air were permeated with an invisible poison, as if we were silently choking on carbon monoxide. The emotion all around—palpable in the streets, the shops, the restaurants, in business offices, at dinner tables—is fear. People have gone from greeting each other with a grimace of anguish as they spout about the outrage of the day to a laugh to despair. It’s all so unbelievable that it’s hard to process, and it doesn’t stop.

Nobody feels safe. Nobody feels protected. This is a city where people seek and, if it all goes well for them, wield power. But today in Washington, those who hold—or once held—the most power are often the most scared. It is not something they are used to feeling. I lived through the paranoia and vengefulness of Watergate. This time in Washington, it’s different. Nobody knows how this will end and what will happen to the country. What might happen to each of us.

The kind of ersatz fear Quinn is describing sounds like the actual terror I experienced in 2018, when The Washington Post, her newspaper, tried to destroy me—and turned the city I was born in and love into a horror movie. At the time I reached out to Quinn, for whom I had written several articles when she was editing the “On Faith” section of the Post. I needed some help salvaging my reputation after I was accused by Christine Blasey Ford of being a witness to Brett Kavanaugh’s alleged assault of her. I emailed Quinn and asked her why the Post was not making available to the public the dozens of articles I had written for the paper in the 1990s—pieces about art, music, religion, and a full-page profile of the historic Howard Theatre. The media was a cyclone of activity and wanted to know everything about me. The Post ran story after corrosive story slandering me. So why not produce what I had written for them and for Quinn? Why bury my work?

Quinn never replied. The pieces I had written for her “On Faith” section were gone. The only one I could find was reproduced in Bill Bennett’s compendium The Book of Man.

Quinn has all kinds of “resistance” courage now, but she had none when it mattered.

The late Ginny Carroll, of the then-Washington Post-owned Newsweek, admitted on C-SPAN with pride that during the 1992 Republican Convention, she wore a button that said, “Yeah, I’m with the Media — Screw You,” a brilliant example of journalists dropping the mask and demonstrating both their undeserved hauteur and their visible loathing of their customers.

Choose the form of your destructor, to coin a phrase.

QUESTION ASKED: Why Are Authorities STILL Hiding Social Media Profiles After High-Profile Crimes?

It happens every time there’s a high-profile crime. Law enforcement officials, in collusion with social media companies, surreptitiously disable the social media profiles of suspects, leaving Americans in the dark about their motives and political leanings.

The question is why. And who benefits?

Read the whole thing.

NEWS YOU CAN USE: For Those Fleeing NYC in Fear of Mamdani, You Really Should Come to California. Please!

You Can Be the Better Person Even As People Call You Stupid

Folks will tell you you’re an idiot for staying in California—when so many businesses and people have fled—but you’ll know better and scoff at them. Just remind them they probably have to deal with things that we don’t have to, like winter!

You Won’t Have to Watch Your City Decline

Think about it—if Mamdani wins, New York City would decline even further, and you’d have to watch it.

You wouldn’t have to in sunny California because that’s already happened to most of our cities. With constant looting, the highest homeless population in the country, human waste covering the streets of San Francisco, and downtown LA now a vast homeless encampment, the decline has already happened in many places. You would avoid having to see it happen in real time.

Sharp-eyed readers may have at this point realized that I am dabbling in sarcasm. The state does have a few issues, I admit it. Okay, the real truth is, we really need your tax dollars because Newsom spent just about all our money on healthcare for illegal aliens. Can’t you help us out?

Fleeing Big Apple leftists can skip big messy, eeeevil Trump supporting flyover country, and finally live out this classic New Yorker cartoon:

THE CRITICAL DRINKER: F1 — The Summer Movie We All Needed.