THE STRINGER ON NETFLIX REVIEW: Nobody Is Going to Believe Nick Ut Took ‘Napalm Girl’ Now.
It’s impossible to prove with absolute certainty who took the photograph in Trang Bang that day. Personally, I believe there should be a statute of limitations on photo-credit disputes. Once fifty years have passed — and many of the key figures are no longer alive — you shouldn’t be able to drag the reputations of people or organizations you clearly hold a grudge against.
Since The Stringer presents a one-sided case with virtually no counter-arguments throughout the film, the vast Netflix audience will likely come away from the movie believing its version of events. Therefore, it is important to scrutinize the evidence put forward by Gary Knight and the VII Foundation.
To my mind, it’s utterly reprehensible that you would wait for the deaths of Horst Faas, Tim Page, Yuichi ‘Jackson’ Ishizaki, and Hal Buell before airing these claims. At best, it makes you a coward, at worst it’s malevolent.
Robinson is hardly an objective player here; his axe to grind is unmistakable, yet The Stringer barely acknowledges his animosity toward Ut and AP.
Faas has always been a giant of press photography and has a reputation for compassion. Yet the film assassinates his character, labeling him a plagiarist.
As for Nghe, it is difficult to know what to make of him. Perhaps he really has been cheated out of a lifetime of accolades and adoration. Or, perhaps he did take a photo of Kim Phuc that day, just not the one he thought he did.
At the end of the film, Nghe’s daughter, Jannie, miraculously discovers a copy of the Napalm Girl photo that their mother supposedly kept after discarding the original print. But the image is actually a newspaper clipping from years later, identifiable by the accompanying photo of an adult Kim Phuc. The VII Foundation tells PetaPixel that the cutting is from the Los Angeles Herald Examiner, published in November 1982.
It’s a strange ending, and after feeling misled for so much of the film, I found myself questioning whether the moment was even genuine.
As Joseph Campbell, who has been writing about the “Napalm Girl” photo for years concluded in June, after attending a screening of The Stringer: More Likely Than Not, Nick Ut Took ‘Napalm Girl’ Photo.
UPDATE:
As I wrote five months ago, it's more likely than not Nick Ut took the "Napalm Girl" photo for @AP in Vietnam in 1972.
"What is so striking about 'The Stringer' [film] is its fundamental unfairness. [Horst] Faas, a two-time Pulitzer winner, is cast as the villain, without… https://t.co/Ww5lxXABub— W. Joseph Campbell (@wjosephcampbell) November 26, 2025