CHRISTIAN TOTO: Sad: Variety Goes Full Trump Derangement Syndrome.

Film critics bring their biases into the theater. Every time.

Political. Cultural. Social.

Heck, this critic adores horror movies and avoids period dramas when possible. (That said, “The Favourite” was wonderful.) It’s the critic’s job to acknowledge and set aside those biases. Films deserve nothing less.

The same holds for film analysis. And it’s here where Variety’s Owen Gleiberman loses the plot. Why?

All together now: “Trump Derangement Syndrome.”

The veteran critic is sad to see that the anti-Trump hit piece “The Apprentice” bombed in its theatrical debut.

Not just sad. Deeply disturbed and even paranoid.