MICHELLE MALKIN WRITES THE POST-MORTEM ON IDENTITY POLITICS IN AMERICA:

“Remember, Jay memorably said: ‘Rosa Parks sat so Martin Luther could walk, and Martin Luther walked so Barack Obama could run, and Barack Obama ran so all the children could fly.’”

This would be comical if not for the noxious cynicism of it all. Clinton may not remember (if she was ever aware in the first place), but the original version of “My President is Black” is a brazen middle finger to nonblack America. Just a few lines after the verse Hillary quoted, the song taunts:

Hello Miss America, hey pretty lady
Red, white, and blue flag, wave for me baby
Never thought I’d say this s—, baby I’m good
You can keep your p—, I don’t want no more Bush
No more war, no more Iraq
No more white lies, the President is black

So the poster granny for liberal white privilege, groveling for black votes, kissed the rings of celebrity Obama BFFs Jay-Z and Beyonce by parroting an inflammatory anthem laced with profanities and radical racialized gloating.

Could there have been a more perfect beclownment to cap Clinton’s phony-baloney “Stronger Together” campaign?

After denigrating millions of Trump supporters as “deplorable” and “irredeemable” earlier this year, Clinton then unctuously confessed on election eve: “I regret deeply how angry the tone of the campaign became.”

Read the whole thing.

Flashback: Rapper Kendrick Lamar to Perform at White House for Semi-Retired President on July Fourth.

Obama also met with Lamar, apparently one of his favorite “artists,” before his final State of the Union address. As Victor Davis Hanson noted at the time, the cover to Lamar’s 2015 album To Pimp a Butterfly features a dead judge and his murderers posing in front of the White House.

Curiously, the media seemed remarkably unperturbed by both of the above-mentioned affiliations, despite having called for new national tone of increased civility and a reduction of violent metaphors in early 2011.