THE BRUTALIST: The Raw Concrete of America.

The story follows the fortunes of the Hungarian architect László Tóth (Adrien Brody) after he flees the aftermath of the Holocaust in Europe to seek his freedom in the United States…Tóth settles with his cousin Attila (Alessandro Nivola), a furniture-maker in Philadelphia, who is enslaved by his desire to assimilate: He marries a shiksa, he becomes Catholic, he even changes his Hungarian surname to Miller. Tóth regards him with contempt. Soon, he encounters the wealthy industrialist Harrison Lee Van Buren (Guy Pearce), an ersatz Charles Foster Kane, who is of course enslaved to his own money, but also to a driving desire to be thought of as a serious, intellectual man. Van Buren, in turn, enslaves Tóth, all but forcing him to design and build a large, self-consciously modern community center in Doylestown, Pennsylvania. And of course, Tóth enslaves himself, first to drugs to numb his despair, and then to despair itself, as he comes to see his American experience as little more than an extension of his detainment in the concentration camps.

In case anyone in the audience isn’t tracking with the brutality of it all, Corbet helpfully includes a scene where Van Buren rapes a drunken Tóth while making antisemitic observations about the causes of the Holocaust. (Yes, yes, we get it—America has raped the world….) And in case that brainy symbol isn’t clear enough, shortly after, he restates the film’s thesis in the mouth of Erzsébet, who declares to her dejected husband, “You were right, this place is rotten. The landscape, the food we eat—this whole country is rotten.” And so it goes until the very end, when Corbet unveils his final exhibit: At the first Venice Biennale, Tóth’s niece reveals in a speech that his forced labor for Van Buren was really just an extension of his Holocaust experience, that what his patron has intended as a monument to a modern, forward-looking America was in fact a re-envisioning of the death houses at Buchenwald.

Wow, I’ll be happy to see the Biden era come to end as well next week, but this film sounds like a massive overreaction to its worst excesses.