ROGER KIMBALL: Milan Kundera’s ‘transcendental buffoonery.’

I was just leaving France when I got the news that that the Czech novelist Milan Kundera had died, aged ninety-four. He had emigrated to Paris in 1975, when he was forty-six, a refugee from the crackdown in Prague following the Russian obliteration of the Prague Spring in 1968. He died in his adopted city on July 11, full of honors but also, or so it seems to me, largely forgotten.

I had not been following Kundera’s work for many years. But there was a moment, in the 1980s, when he was the talk of the posh, intellectual literary town. I wrote a longish essay about him for the New Criterion in 1986. I draw on that work here.

Kundera was in his late thirties when he published his first novel, The Joke, in Prague in 1967. The book traces the fortunes and amours of a young student, Ludvik, after his exasperatingly patriotic girlfriend decides to show the authorities a postcard he had written her as a joke: “Optimism is the opium of the people! A healthy atmosphere stinks of stupidity! Long live Trotsky! Ludvik.” As a result of this whimsy, Ludvik finds himself expelled from the Communist Party and the university, and is eventually conscripted to work in the mines for several years.

The Soviets and their satellite states really perfected cancel culture: