THE SAN FRANCISCO STORY BEHIND THE ‘CHARLIE BROWN CHRISTMAS’ ALBUM:
Unique among those Christmas hits are the songs from “A Charlie Brown Christmas,” the 1965 animated Christmas special starring Charles Schulz’s “Peanuts” gang. The movie’s soundtrack might be the most recognizable jazz music in history. Piano player Vince Guaraldi’s renditions of classics like “Christmas Time Is Here” have become the definitive versions, and tunes like “Linus and Lucy” — which the gang jams to onstage — have reverberated through pop culture ever since.
Schulz has close ties to the Bay Area. Although born in Minneapolis, he moved to Sebastopol in 1958, then relocated to Santa Rosa in 1969, where he lived until his death in 2000 (a museum and skating rink were built celebrating his work). But the Christmas special’s soundtrack has uniquely San Francisco roots and, if not for a string of coincidences, may have never actually been heard by the public — let alone hit No. 2 on Billboard’s album chart 57 years later. A four-hour “super deluxe” version was released in October featuring material recently discovered in the Fantasy Records vaults.
Guaraldi was born in North Beach in 1928. After a brief stint at San Francisco State and a tour in Korea as an army cook, he hit the SF jazz scene and quickly received a contract from locally based Fantasy Records. While playing live around San Francisco, he picked up nicknames like “The Italian Leprechaun” (he was just over 5 feet tall) and Dr. Funk. He and his trio gained some popularity through covers of Antonio Carlos Jobim and Luiz Bonfa on their 1962 album “Jazz Impressions of Black Orpheus,” then had a bona fide hit with the B-side “Cast Your Fate to the Wind.”
It’s hard to believe, but prior to its self-inflicted Weimar-ification*, San Francisco quite a brilliant city.
Related: Charlie Brown’s Inside Job. What gives the 1965 Peanuts special its staying power? “All the suits had said no to the religiouselement in the special, but Schulz insisted. Everyone at the network was prepared for a flop, but Schulz wasn’t thinking of network executives when he made the special. He was thinking about children and about the nature of God. The suits didn’t understand it, but from the first broadcast, the kids who watched it loved it, and made it a huge hit from then on.”