THE PRESIDENT OF THE AMERICAN HISTORICAL ASSOCIATION CRITICIZED THE 1619 PROJECT AND OUTRAGE FOLLOWED:

The rest of the essay is an attack on presentism in recent Supreme Court decisions written by Justice Thomas and Justice Alito. Perhaps [James H. Sweet] thought that by ending with an attack on conservatives on the Supreme Court readers would be willing to overlook his criticism of the 1619 Project. But he was clearly wrong about that. I’d prefer to show you some of the tweets reacting to the essay but many of the primary sources (so to speak) have been hidden away by people protecting their tweets. So here’s a description of what happened from economist Phillip W. Magness at the American Institute for Economic Research. It’s worth noting that Magness has been a frequent critic of the 1619 Project.

Within moments of his column appearing online, all hell broke loose on Twitter.

Incensed at even the mildest suggestion that politicization is undermining the integrity of historical scholarship, the activist wing of the history profession showed up on the AHA’s thread and began demanding Sweet’s cancellation. Cate Denial, a professor of history at Knox College, led the charge with a widely-retweeted thread calling on colleagues to bombard the AHA’s Executive Board with emails protesting Sweet’s column. “We cannot let this fizzle,” she declared before posting a list of about 20 email addresses.

Other activist historians joined in, flooding the thread with profanity-laced attacks on Sweet’s race and gender as well as calls for his resignation over a disliked opinion column. The responses were almost universally devoid of any substance. None challenged Sweet’s argument in any meaningful way. It was sufficient enough for him to have harbored the “wrong” thoughts – to have questioned the scholarly rigor of activism-infused historical writing, and to have criticized the 1619 Project in even the mildest terms…

Other activist historians such as the New School’s Claire Potter retorted that the 1619 Project was indeed scholarly history, insisting that “big chunks of it are written by professional, award-winning historians.” Sweet was therefore in the wrong to call it journalism, or to question its scholarly accuracy. Potter’s claims are deeply misleading. Only two of the 1619 Project’s twelve feature essays were written by historians, and neither of them are specialists in the crucial period between 1776-1865, when slavery was at its peak. The controversial parts of the 1619 Project were all written by opinion journalists such as Hannah-Jones, or non-experts writing well outside of their own competencies such as Matthew Desmond.

Read the whole thing, and note that “Nikole Hannah Jones herself has previously stated [in a series of since-deleted but screenshot tweets] that the 1619 Project was about journalism and narrative, not history. In other words, she has admitted this was exactly the sort of exercise in ‘presentism’ Sweet was saying it was in his essay: ‘The project spoke to the political moment, but I never thought of it primarily as a work of history.’”

Live look at Sweet writing the usual groveling apology to the outrage mob:

The Red Guard parades an official through a Peking street and force him to wear a dunce cap as a mark of public shame. He is the member of an anti-revolutionary group and, according to the writing on the cap, he has been accused of being a political pickpocket. This picture was made in the Peking on Jan. 25, 1967 and was obtained from Japanese sources in Tokyo.

Steve Hayward notes that the American Historical Association has locked down its Twitter account, adding that Henry Ford was right, “History Is Bunk After All.”