OH THAT RADICAL CHIC: White House tweets shoutout to Grammy winner Kendrick Lamar.

Earlier:

A few hours before delivering that State of the Union, President Obama met with rapper Kendrick Lamar. Obama announced that Lamar’s hit “How Much a Dollar Cost” was his favorite song of 2015. The song comes from the album To Pimp a Butterfly; the album cover shows a crowd of young African-American men massed in front of the White House. In celebratory fashion, all are gripping champagne bottles and hundred-dollar bills; in front of them lies the corpse of a white judge, with two Xs drawn over his closed eyes. So why wouldn’t the president’s advisors at least have advised him that such a gratuitous White House sanction might be incongruous with a visual message of racial hatred? Was Obama seeking cultural authenticity, of the sort he seeks by wearing a T-shirt, with his baseball cap on backwards and thumb up?

To play the old “what if” game that is necessary in the bewildering age of Obama: what if President George W. Bush had invited to the White House a controversial country Western singer, known for using the f- and n- words liberally in his music and celebrating attacks on Bureau of Land Management officers? What if Bush had also declared that the singer’s hit song—perhaps a celebration of the Cliven Bundy protest—was the president’s favorite in 2008, from an album whose grotesque cover had a crowd of NASCAR-looking, white redneck youth bunched up with an African-American official dead at their feet? And what if the next day, Bush told the nation that he regretted not being able to bring the country together? Would there have been media calls for Bush’s impeachment?

—Victor Davis Hanson, “Still Polarizing After All These Years,” January 17th, 2016.